Inks by Horacio Ottolini, Colors by Melissa Kaercher
Originally appeared in Femme Noir: The Dark City Diaries, Issue #1
Click “Transcript” below to read the original script for this page:
↓ Transcript
Page Ten
Panel 1. Wide panel across the top of the page, wide angle on the four gangsters. They've stopped firing, and are looking around, satisfied grins on their faces. The air is dense with gun smoke.
Chaney: I think… we got 'er…
Panel 2. Large panel across the middle of the page. There will be three uniform panels across the bottom of the page below this one. I leave the staging to you, but this is our dramatic "entrance" shot as Noir comes bursting out of the shadows and through the smoke, guns in both hands blazing.
Noir: Wrong choice.
SFX: (gunfire)
Panels 3, 4, 5. Three uniform-sized panels showing each of the three thugs other than chaney getting blown off their feet by noir's well-aimed rounds.
SFX: (gunfire continues)
Panel 1. Wide panel across the top of the page, wide angle on the four gangsters. They've stopped firing, and are looking around, satisfied grins on their faces. The air is dense with gun smoke.
Chaney: I think… we got 'er…
Panel 2. Large panel across the middle of the page. There will be three uniform panels across the bottom of the page below this one. I leave the staging to you, but this is our dramatic "entrance" shot as Noir comes bursting out of the shadows and through the smoke, guns in both hands blazing.
Noir: Wrong choice.
SFX: (gunfire)
Panels 3, 4, 5. Three uniform-sized panels showing each of the three thugs other than chaney getting blown off their feet by noir's well-aimed rounds.
SFX: (gunfire continues)
She is a good shooter